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The Clash – Sandinista! (1980)

The Clash – Sandinista! (1980)

Tracks

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  • The Magnificent Seven
  • Hitsville U.K.
  • Junco Partner
  • Ivan Meets G.I. Joe
  • The Leader
  • Something about England
  • Rebel Waltz
  • Look Here
  • The Crooked Beat
  • Somebody Got Murdered
  • One More Time
  • One More Dub
  • Lightning Strikes (Not Once but Twice)
  • Up in Heaven (Not Only Here)
  • Corner Soul
  • Lets Go Crazy
  • If Music Could Talk
  • The Sound of Sinners
  • Police on My Back
  • Midnight Log
  • The Equaliser
  • The Call Up
  • Washington Bullets
  • Broadway
  • Lose this Skin
  • Charlie don't Surf
  • Mensforth Hill
  • Junkie Slip
  • Kingston Advice
  • The Street Parade
  • Version City
  • Living in Fame
  • Silicone on Sapphire
  • Version Pardner
  • Career Opportunities
  • Shepherds Delight

Sandinista! is the fourth studio album by English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. Anticipating the “world music”trend of the 1980s, it features funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap. For the first time, the band’s traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash, and the band agreed to a decrease in album royalties in order to release the 3-LP at a low price.

The title refers to the Sandinistas in Nicaragua, and its catalogue number, ‘FSLN1’, refers to the abbreviation of the party’s Spanish name, Frente Sandinista de Liberación Nacional.

Sandinista! was voted best album of the year in the Pazz & Jop critics poll in The Village Voice, and was ranked number 404 on the Rolling Stone list of “The 500 Greatest Albums of All Time”in 2003. Slant Magazine listed the album at number 85 on its “Best Albums of the 1980s”list in 2012.

The Clash were an English rock band formed in London in 1976 as part of the original wave of British punk rock. They have also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of more...

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